From Literature to Image: Study on the Literariness of Painting Creation of Books and Periodicals

Authors

  • Li Xiaojun School of Arts, Southeast University, Nanjing, 211189, China

DOI:

https://doi.org/10.24204/ejpr.2021.3696

Keywords:

Religious Websites, Narrative image, Philosophical spirit, Political metaphor, Emotional expression

Abstract

As two different art categories, literature and painting use temporal words and spatial images respectively to convey information and narrative. In addition to the pursuit of visual decoration, the paintings in books and periodicals in the period of the Republic of China were widely and profoundly influenced by the literature of the same period from the aspects of the style of expression, the theme of content and the creative techniques, thus breaking through the limitations of their own media and achieving narrative effects like literary. The reflection of literary thoughts and trends in theme, the translation of classical novels in content and the use of literary techniques such as metaphor, synaesthesia and “Bixing” in the expression techniques that further highlighted the functional value, aesthetic value, and historical value of the images. In the visual information age, only by maintaining the characteristics of their own media and absorbing the narrative advantages of other artistic media, can images break through the limitation of plane static space and achieve a narrative effect with more artistic appeal and ideological and cultural depth.

Published

2021-03-02

How to Cite

Li Xiaojun. 2021. “From Literature to Image: Study on the Literariness of Painting Creation of Books and Periodicals ”. European Journal for Philosophy of Religion 13 (1):200-220. https://doi.org/10.24204/ejpr.2021.3696.

Issue

Section

Research Articles