HERMENEUTICS AND THE SACRED: EXPLORING PHILOSOPHICAL DIMENSIONS OF PIANO PERFORMANCE TEACHING WITHIN RELIGIOUS ART EDUCATION

Authors

  • Zhen Xu Nanjing Xiaozhuang University, Jiangsu, 211171, Nanjing, China

DOI:

https://doi.org/10.24204/ejpr.2024.4046

Keywords:

Hermeneutics; Art Education; Piano Performance; Teaching Philosophy

Abstract

The philosophy of piano performance teaching, rooted in hermeneutic theory, represents a significant evolution from traditional pedagogical methods. This approach emphasizes a shift from mere knowledge transmission to a deeper, interpretative understanding of music, prioritizing the dialogic interaction between teacher and student. Such an educational framework underscores the ontological essence of music, advocating for respect for its historical and contemporary realities and elevating the interpretative role of the student within the learning process. In this context, piano performance teaching transcends conventional skill-based instruction, evolving towards a model that is student-centered and rich in connotative depth. This pedagogical philosophy not only respects but also highlights students' subjectivity, recognizing their central role in interpreting and understanding musical texts. The emphasis on the ontological aspects of music encourages respect for both the past interpretations and potential future directions of musical expression. Moreover, by integrating hermeneutic principles into piano performance teaching, this approach fosters a spiritual and philosophical exploration of music, aligning with broader themes of religious art education. It encourages students to engage with music as performers and as thoughtful interpreters who consider the deeper meanings and spiritual dimensions of musical works. This philosophical shift enhances the educational experience, promoting a holistic understanding of music that connects technical proficiency with existential and spiritual inquiry. In essence, the hermeneutic-based philosophy of piano performance teaching redefines the pedagogical landscape, offering a more nuanced and spiritually enriching framework that aligns with the principles of religious art education. This approach not only challenges traditional methods but also opens new avenues for the exploration of music as a profound medium of human expression and spiritual reflection.

Published

2024-08-12

How to Cite

Zhen Xu. 2024. “HERMENEUTICS AND THE SACRED: EXPLORING PHILOSOPHICAL DIMENSIONS OF PIANO PERFORMANCE TEACHING WITHIN RELIGIOUS ART EDUCATION”. European Journal for Philosophy of Religion 16 (1):299-317. https://doi.org/10.24204/ejpr.2024.4046.

Issue

Section

Research Articles