INVESTIGATING THE CONCEPT OF WHITE SPACE IN ZEN PAINTINGS: IMPLICATIONS FOR UNDERSTANDING TRANSCENDENCE AND IMMANENCE IN ZEN BUDDHISM

Abstract

Purpose: This research investigates Zen paintings through the lens of white space, aiming to uncover their symbolic representation of transcendence and immanence within Zen Buddhism. By analyzing selected artworks, the study explores how Zen artists employ minimalist aesthetics and symbolic motifs to convey profound spiritual insights and encourage contemplation. Method: Employing an interdisciplinary approach blending art history, religious studies, and cultural anthropology, the study systematically analyzes the visual composition, artistic techniques, and cultural contexts of Zen paintings. Techniques include thematic analysis and comparative studies with other artistic traditions to elucidate the unique aesthetic and philosophical dimensions of Zen art. Findings: The study reveals that white space in Zen paintings serves as a visual metaphor for emptiness and interconnectedness, inviting viewers to transcend material forms and enter into a state of heightened awareness. Through the deliberate use of empty spaces, Zen artists evoke a sense of spiritual depth and evoke contemplative experiences among viewers. Originality/ Significance: This research contributes novel insights into the aesthetic, philosophical, and cultural significance of Zen art. By bridging traditional artistic techniques with contemporary interpretations, it enhances scholarly understanding of East Asian cultural heritage, inspires artistic practices, and promotes cross-cultural dialogue on universal themes of spirituality and artistic expression.